The first iteration of Crack Cloud was formed nearly a decade ago as a proxy-rehab outlet on the fringes of Calgary, where two EPs and their accompanying visual pieces were created during this time. By 2017, several members had relocated to Vancouver. It was after the move that the band produced their astounding 2020 album Pain Olympics, and their 2022 follow up, Tough Baby. All at once, their vision became expansive, cinematic, and precarious. Now, their third full-length studio album, Red Mile, acts as both a tribute and a homecoming. Members have since left Vancouver and returned to Calgary; returned to the long stretch of land colloquially referred to as the red mile. But what of the time away from home? After a decade of personal and collective growth, what does home even mean? To Crack Cloud, this is the liminal message demanding to be explored throughout Red Mile. The throughline thread of samsara – rebirth and life’s cyclical pattern weaving together the eight tracks. Red Mile’s de facto thesis statement “The Medium” is itself a rock song meditation: an ode to the form and its practitioners. This genre that — typical, repeatable, corporatized as it can be — somehow still has the power to help us live through life. We see that the dusty sentiment of “I love rock and roll” can be exhumed, taken apart, and stitched back together. It’s a song guided by faith – if the medium helps us proclaim our love today, it’s worth protecting from derision tomorrow. Crack Cloud’s Red Mile is a rock record – one made by people who know exactly how much that can mean.